An all-but-unrecognizable Mickey Rourke stars as an aging Hulk Hogan-inspired professional wrestler, desperately trying to hold onto his larger-then-life glory days of the 80s. In a parallel plotline, Marisa Tomei costars as an aging stripper, also holding onto her youth as long as she can. Shot with ample use of hand-held, documentary-style cameras, Rourke and Tomei give outstanding performances in challenging roles (Rourke reportedly bulked up 35 pounds for the part), while director Darren Aronofsky succeeds in showing the grittier, human sides of both professional wrestling and the stripping life without resorting to trickery or pandering to emotion. The Wrestler has an honest, kick-in-the-gut feel, much like life itself. While often violent and not for the faint at heart, the flick is also realistic and pulls off the nearly impossible: making an exceedingly watchable, interesting, and entertaining movie about the drama that is professional wrestling.

Production Status: In Production/Awaiting Release
Genres: Action/Adventure, Comedy, Drama and Sports
Running Time: 1 hr. 45 min.
Release Date: December 17th, 2008 (limited)
MPAA Rating: R
Distributors: Fox Searchlight Pictures
Production Co.: Protozoa Pictures, Saturn Films, Wild Bunch
Financiers: Winchester Capital Partners
Filming Locations: New Jersey, United States
New Jersey, USA
Produced in: United States
Starring: Mickey Rourke, Marisa Tomei, Evan Rachel Wood, Judah Friedlander, Ajay Naidu 
Directed by: Darren Aronofsky 
Produced by: Vincent Maraval, Agnes Mentre, Jennifer Roth

Trailer:

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A high-powered consultant in love with her upscale Miami lifestyle is sent to a middle of nowhere town in Minnesota to oversee the restructuring of a blue collar manufacturing plant. After enduring a frosty reception from the locals, icy roads and freezing weather, she warms up to the small town’s charm, and eventually finds herself being accepted by the community. When she’s ordered to close down the plant and put the entire community out of work, she’s forced to reconsider her goals and priorities, and finds a way to save the town.

Also Known As: 32 and Single
Chilled in Miami
Thirty Two and Single
Production Status: In Production/Awaiting Release
Genres: Comedy
Release Date: January 30th, 2009 (wide)
Distributors: Lionsgate
Production Co.: Gold Circle Films, Epidemic Pictures and Management, Inc., The Safran Company, Edmonds Entertainment
Studios: Universal Pictures
Financiers: Gold Circle Films
Filming Locations: Miami, Florida USA
Winnipeg, Manitoba Canada
Produced in: United States
Starring: Renee Zellweger, Harry Connick Jr., Frances Conroy, Siobhan Fallon Hogan, Nancy Drake 
Directed by: Jonas Elmer 
Produced by: Scott Niemeyer, Norm Waitt, Darryl Taja 

Trailer:

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After her successful co-directorial debut on “Superman Doomsday,” Lauren Montgomery takes full command of the helm for “Wonder Woman,” the next entry in the popular series of DC Universe animated original PG-13 films. Warner Premiere, DC Comics and Warner Bros. Animation are set to release the all-new film on March 3, 2009, distributed by Warner Home Video. The animated original movie will also be available OnDemand and Pay-Per-View as well as available for download day and date, March 3, 2009.

Wonder Wonder as she first appears in full costume in the all-new DC Universe film

Montgomery has directed an origin story for “Wonder Woman” that remains true to the title character’s various incarnations while setting the tale in more modern times to allow greater accessibility for a wider audience. Working alongside producer Bruce Timm, Montgomery has brought to life Michael Jelenic’s entertaining script with an impressive balance of explosive action and well-timed humor. A talented artist with a lifetime of experience devoted to drawing and animation, Montgomery is proud to give Wonder Woman her first feature film treatment.

Montgomery, who is already involved in other super hero films, took a few minutes to discuss the upcoming “Wonder Woman” movie, her love of drawing, artistic influences on her style, lessons from Bruce Timm, and Cheetara’s lonely place among female heroes.

Without further do, the Q&A with “Wonder Woman” director Lauren Montgomery …

"Wonder Woman" captures the title character's origin story from the events leading up to her birth (pictured) to her initial adventures in modern-day America.

Question:
You’ve gone from directing one-third of “Superman Doomsday” to helming the entirety of “Wonder Woman.” What’s that progression been like for you?

Lauren Montgomery answers:
It’s mostly in scale of responsibility. On Doomsday, it was all about my one section of the film. Now, it’s everything from background design and color to character design and camera angles, helping select the voices for the cast and approving every storyboard for the entire
film. So (she laughs) it was all a lot harder. It’s been an incredible learning experience, it’s probably the most hands-on I’ve ever been on anything, and it’s really prepared me for more of those responsibilities in the future.

Question:
What were the driving factors behind the final design of Wonder Woman?

Lauren Montgomery answers:
We kept the designs simple enough for animation, but we wanted to give them a slightly more detailed, less cartoony look for the PG-13 content. Wonder Woman went through a lot of different versions. Gradually, and for the betterment of the film, we determined that she should look strong and athletic without being manly. She’s an Amazon, so I wanted her to be able to be taken seriously. We wanted her to look like she worked out, and not just make her a curvy, busty pinup. So I tried to give her slightly slimmer hips versus the hourglass figure, and I think it makes her more believable and engaging in a lot of action.

Question:
Did you utilize a different color palette from previous DC Universe films?

Lauren Montgomery answers:
We wanted the film to be vibrant, but we also needed our characters to fit into their settings. Our color stylist, Craig Cuqro, used colored filters to set the characters into their backgrounds, and our overseas studio Moi added a lot of diffusion, which gives the characters a really nice kind of glowing look – especially during the scenes in Themyscira. The soft diffusion throughout the scenes in Themyscira makes everything seem much nicer, like a paradise. The style adds a lot of quality to the overall look of the film.

Question:
Are you a mythology aficionado?

Lauren Montgomery answers:
I always liked epic stories, and Greek mythology was a subject that kept my attention in school. The characters were larger than life – they were gods and each had their own nuances and specialties. Being an artist, I could really visualize those characters and that made their stories that much more interesting. “Wonder Woman” is based in mythology, but it doesn’t follow it to a ‘T’ by any means. I really just had to bone up on my Wonder Woman version of mythology, so I could make sure that we pleased the fans. We wanted to stay true to the legend but we did eliminate or underplay some of the sillier aspects of that mythology.

Question:
Like the fact that the Amazons have an invisible jet, but they with fight swords and don’t appear to have indoor plumbing?

Lauren Montgomery answers:
There are a few things in the movie that we opted against really explaining because, honestly, the explanations were more convoluted than not explaining it at all. You don’t need to break down the minor details. If we tell you exactly where the invisible jet came from, then that’s time and energy that would’ve taken away from our core story.

Question:
How did Michael Jelenic’s script complement your approach to direction?

Lauren Montgomery answers:
Michael Jelenic has really strong, entertaining ideas in his scripts. Seeing his first drafts really inspired me because there was a lot of action that showed her true strength. He told a story that captivated me the entire way. Beyond the action, Michael is good at interjecting a lot of humor – Steve Trevor’s sense of humor echoes Michael’s in many ways. He also likes to write a lot of director-embellished action scenes, which didn’t always make it easier on me. That’s the one thing I’d like to punch him for. But otherwise, he did a great job.

Question:
What’s your depth of love for comics and/or super heroes?

I was always more a fan of animation than comics. I just didn’t realize until I was a little older that you could actually make a living making cartoons. And once I discovered that career path, I knew exactly what I was going to do when I grew up.

My love of super heroes didn’t really start until “Batman: The Animated Series” – that series just took everything to a higher level. It didn’t speak down to people, it made you think more, it had really serious stories, and it went about telling those stories in a way that didn’t put the violence right out there for you to see. It kind of undertoned it. It was more sophisticated storytelling and that drew me to the Superman and Justice League series, and then I ended up working on “Justice League.” So most of my experience with super heroes are through animation, not actually through the comic books themselves.

Question:
You said Batman: The Animated Series was your awakening to super heroes and a career in action animation, and now you’re directing the next generation of that genre of entertainment. What’s it like to live your dreams?

Lauren Montgomery answers:
It was surreal at first, but now it’s just another day of work. I’ve kind of adapted to it. But every once in a while when I sit back and think about it, it’s like, ‘Here I am doing what I’ve been waiting my whole life to do.’ And that’s cool. Even on the days where it’s hectic and there’s intense schedules and the deadlines are looming, and I might be pulling my hair out, I know there’s no other job that I would be happier doing.

Question:
Along those same lines, you now work side-by-side with Bruce Timm on DC Universe films. What’s it like to go from fan to colleague?

Lauren Montgomery answers:
Working with Bruce is extremely interesting, and not in a bad way (she laughs). This is going to greatly understate it, but he knows what he’s doing. It’s always a really good learning experience just to sit back and watch him, to see how he works, because Bruce definitely has his own way of doing things. Pretty much all the calls he makes are the right calls – it’s obvious in the body of work that he’s produced. When he makes a call, even if I don’t 100 percent agree with it, I usually just let it go because I know the film is going to be better for it.

A lot of filmmaking is finessing, and I’ve learned a lot of that art from Bruce. He knows the little tricks to make things a lot better. Certain things to avoid, simple camera moves, and ways to not draw attention to the camera. And he’s an amazing editor – he has a way of looking at a film and being able to identify the important parts and really hammer them home. I’m still kind of focused on the storyboards, planning everything out so it plays the way I want it. I don’t really think about cutting around or rearranging scenes because I already did that in the storyboards. But Bruce can look at that footage and know immediately how to rearrange the scenes to make things that much better and that much smoother. That’s what I’m trying to learn from him now.

Question:
Has drawing always been a passion?

Lauren Montgomery answers:
In my younger years I drew a lot and I wasn’t quite as social. When I came home after school, I would finish my homework, and then sit in my room and draw. And that’s all I did, because I knew that’s what I wanted to do. I would save my money and buy books like “The Art Of Pocahontas” and “The Art Of Hunchback” – whatever Disney art book was out that year. I would take it home and look at it, and I would think, ‘okay, now my drawings aren’t anywhere near as good as these drawings, so I’d better get to work to make them as good.’ I figured the more I practiced, the sooner I would get that good, so I drew as much as I possibly could.

Question:
Who are your influences artistically today?

Lauren Montgomery answers:
I don’t have specific artists exactly, but I was definitely influenced by the Disney films. Those were the drawings I was tracing and sketching during my early years. I would study each and every one of the princesses and draw them until I had them all down by heart. My facial features are still influenced somewhat by Disney characters. As I got older, I was definitely influenced by Bruce’s style in Batman, and I started getting into anime, and some of the more subtle styles in anime drawing. The clothing is a little more detailed than the typical American animation – it’s more believable, yet still simplified. It’s the way they draw bodies and cloth that I kind of incorporate into my drawings, as well as certain aspects of how they would draw hair. So I’d say I have a few different influences in my art style.

Question:
You’re one of the very few women directing action animation today. Does that factor have any resonance within your career?

Lauren Montgomery answers:
I never focus on the ‘one of the only women’ aspect of my job – I just always liked action and wanted to work in this genre. I never realized how few women there were in super hero animation. I just thought, ‘I like to draw, surely all the other girls like to draw, too.’ I guess I just didn’t realize how different I was. So I don’t think I’ve got any special trick that makes me a successful woman in action animation. I worked hard and it has paid off.

Question:
Do you have a preference between male and female super heroes?

Lauren Montgomery answers:
I definitely prefer female leads because I feel they’re just easier to direct their acting. They’re allowed to show a much wider range of emotions. A woman can be feminine and tomboyish, and she can hit all the same poses that a man can hit. But if you start putting a man in a feminine pose, especially a super hero man, it doesn’t fly. So when you’re dealing with the male super heroes, you have a much, much more restricted range of acting. It’s not just a challenge, it’s more of a limitation in general. You can do more with a woman character and it’s still acceptable. So it’s a lot more enjoyable for me. Plus, on a personal level, I think it’s good to give girl fans more options. When I was a girl, I would watch Thundercats and all I really had to choose from was Cheetara (she laughs). I always wanted more female heroes to choose from and I never really got them. Hopefully we’ll be able to explore more of them in these DVDs

the Wonder Woman film’s official website at www.wonderwomanmovie.com, Credit goes to Gary Miereanu for submitting stories to us

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The star of Andrew Bujalski’s indie sensation Mutual Appreciation, Justin Rice returns to the screen in this tale of a struggling scriptwriter who takes in a plucky Jack Russell terrier in hopes of charming its pretty owner into the bedroom. Lately, Bobby (Rice) hasn’t had much luck in relationships. An aimless New Yorker whose best friend Scott is an unrepentant womanizer and whose nemesis Hart Carlton steals his ideas for a corny morality play about 9/11, Bobby just wants to find a pretty girl and move beyond the petty disappointments in life. When the girl Bobby currently has eyes for asks him to take care of her Jack Russell puppy for a few days, the lovelorn lothario sees the good deed as the perfect opportunity to make an unforgettable first impression. ~ Jason Buchanan, All Movie Guide

Production Status: In Production/Awaiting Release
Genres: Comedy and Drama
Running Time: 1 hr. 31 min.
Release Date: December 5th, 2008 (limited)
Distributors: Blitstein Film
Production Co.: Let Them Chirp Awhile, LLC
Filming Locations: New York, New York USA
Produced in: United States
Starring: Justin Rice, Brendan Sexton III, Laura Breckenridge, Pepper Binkley, Zach Galligan
Directed by: Jonathan Blitstein
Produced by: Anouk Frosch

Trailer:

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A young girl (Fanning) walks through a secret door in her new home and discovers an alternate version of her life. On the surface, this parallel reality is eerily similar to her real life – only much better. But when her adventure turns dangerous, and her counterfeit parents (including Other Mother [Hatcher]) try to keep her forever, Coraline must count on her resourcefulness, determination, and bravery to get back home – and save her family.

Production Status: In Production/Awaiting Release
Genres: Kids/Family, Science Fiction/Fantasy, Animation and Adaptation
Release Date: February 6th, 2009 (wide)
Distributors: Focus Features, Universal Pictures International (UPI)
Production Co.: Laika Entertainment, Pandemonium
Filming Locations: Principal animation in Portland
Produced in: United States
Starring: Robert Bailey Jr, Keith David, Dakota Fanning, Teri Hatcher, Dawn French
Directed by: Henry Selick
Produced by: Bill Mechanic, Mary Sandell, Claire Jennings

Trailer:

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Harry Potter’s sixth year at Hogwarts turns out to be quite the exciting year. First off is the arrival of a new teacher at Hogwarts, Horace Slughorn, who is a bit more useful to Harry than he realizes. Next, Harry obtains a Potions book which used to be belong to the very mysterious Half-Blood Prince. Harry finds that the Half-Blood Prince’s ancient scribbles are written along the margins of almost every page, giving Harry advice on how to improve greatly on his Potions work, and also teaching him a few helpful (and dangerous) spells along the way.

Amidst this, Harry is starting private lessons with Professor Dumbledore, during which Harry learns the dark secrets of Voldemort’s past, hoping that they could use these secrets to find a way to defeat him.

Harry’s year gets even more stressful with the suspicious actions of Draco Malfoy, who has been sneaking around the school doing, so Harry assumes, Voldemort’s bidding. Harry quickly becomes determined, and slightly obsessed, to find out exactly what Malfoy has been up to and putting and end to it.

Yet, during this time, Harry and his friends go through daily life, busy with school work, Quidditch, (in which Harry has been made captain of the team) and of course, romance. Ron has found a new girlfriend, Lavender Brown, a perky (if not obnoxious) Gryffindor student, and Hermione is not happy about it. Ron and Hermione’s friendship takes a toll throughout the school year and Harry, as usual, is stuck in the middle. Harry, meanwhile, is facing a romantic dilemma of his own: he realizes he is falling for his best friend’s sister, Ginny Weasley, who is unfortunately dating Harry’s classmate, Dean Thomas. Harry’s pining for Ginny and Ron’s hilarious relationship with Lavender give this story a large dose of reality.

Throughout all the school drama, however, the obvious darkness of Voldemort’s impending rise to power is always apparent. The incredible action-packed climax is sure to leave the audience stunned and, inevitably, prove that you shouldn’t trust everybody who you think is good and also prove that not everyone can manage to survive.

Also Known As: Harry Potter 6
Production Status: In Production/Awaiting Release
Genres: Action/Adventure, Science Fiction/Fantasy, Adaptation and Sequel
Starring: Daniel Radcliffe, Emma Watson, Rupert Grint, Tom Felton, Helena Bonham Carter
Release Date: July 17th, 2009 (wide)
Distributors: Warner Bros. Pictures Distribution
Production Co.: 1492 Pictures, Heyday Films
Studios: Warner Bros. Pictures
Produced in: United States
Directed by: David Yates
Produced by: David Heyman, David Barron

Trailer:

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When his high-school French class is asked to translate a news article about a terrorist who planted a bomb in his pregnant girlfriend’s luggage, Simon (Devon Bostick) starts digging into his own family’s murky past. His resulting claims about the deaths of his father Sami (Noam Jenkins) and mother Rachel (Rachel Blanchard) stir up a storm that splashes over the edges of his own life and into communities both local and virtual.

Bringing full teenaged confusion and self-righteousness to the crisis he helped create, Simon lives with his well-meaning, struggling uncle Tom (Scott Speedman), but increasingly shuts him out, opening up instead to his mysterious French teacher Sabine.

Adoration

Production Status: In Production/Awaiting Release
Genres: Art/Foreign, Drama and Teen
Running Time: 1 hr. 41 min.
Release Date: May 8th, 2009 (limited)
MPAA Rating: R for language.
Distributors: Sony Pictures Classics
Production Co.: Serendipity Point Films, ARP, Ego Film Arts
Financiers: Telefilm Canada, Super Ecran, Astral Media, Movie Central, Ontario Film & Television Tax Credit
Filming Locations: Toronto, Ontario Canada
Produced in: Canada
Starring: Rachel Blanchard, Scott Speedman, Katie Boland, Arsinee Khanjian, Raoul Bhaneja
Directed by: Atom Egoyan
Produced by: Robert Lantos, Michele Halberstadt, Laurent Petin

Trailer:

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The great value of families is that we all need people whom we don’t have to be nice to. In the business and social worlds, the pressure to be pleasant is constant, and unfiltered honesty has consequences. But in families, moods can turn on a dime. Alliances can be forged, broken and forged again in the course of an afternoon. A visit home can be emotionally exhausting, but it also can be releasing - a release from the pressure of having to imitate a civilized person in every other sphere of life.

A Christmas Tale

“A Christmas Tale” is a realistic and sprawling movie about precisely this phenomenon, presenting us with an extended family in the days leading up to and immediately following Christmas. Like most families, this one has its problems and its bad blood, and in the first 20 minutes or so, writer-director Arnaud Desplechin lays out all the details. If viewers are going to resist “A Christmas Tale,” it will be in these first minutes. Who wants to sit there keeping track of who is a relative and who is an in-law? Who wants to take a crash course in another family’s 40 years of misery?

But have patience. Getting through these first 20 minutes is as necessary as plowing through the first 50 pages of a 19th century novel. Once that work is over, the movie’s singular pleasures reveal themselves. “A Christmas Tale” is not like other family movies, to be experienced from a cozy, appreciative distance. Rather, it’s like being initiated into another family altogether. Long before it ends, the viewer has a seat at the table and is sleeping on a cot in the spare room. That’s how it feels, and that’s Desplechin’s outstanding accomplishment.

The cast is heaven, starting with Deneuve, Jean-Paul Roussillon as her much older husband, Mathieu Amalric as their prodigal son and Emmanuelle Devos as the Jewish fiancee the son brings home for Christmas. Dark secrets are unlocked, words draw more blood than punches, and Desplechin turns one family into a universe that resembles life as a startling work of art.

At the center of the movie are the aging parents, played by Catherine Deneuve and Jean-Paul Roussillon. The drama, to the extent there is one, involves the diagnosis of Junon (Deneuve) with a fatal blood disease, which is all but certain to kill her unless she finds a bone marrow donor. In what, at first, seems like a discordant note, Junon is blase about the diagnosis - neither stoic nor blithe, just remarkably casual. Fortunately, this is not a mistake on Desplechin’s part, nor an example of Deneuve’s refusing to lose her cool on screen. Junon’s reaction is in keeping with the movie’s tone, which is right on the edge of comedy and drama.

Their kids have a tortured history with each other, which won’t be detailed here. Elizabeth, the eldest, is a playwright, beautifully embodied by Anne Consigny as one of those unlucky gifted people hooked into all the pain of the universe. The youngest, Ivan (Melvil), has the glow of someone who has been loved all his life. And the middle child, Henri, played by Mathieu Almaric, is a fast-talking hustler, an alcoholic whose entire personality is a compensation for always having been despised by his parents.

A hint of the filmmaker’s perceptiveness comes in an early scene, in which Henri writes an accusatory letter to his sister. Desplechin has Amalric sit in a chair and recite the letter directly into the camera, and gradually, the unexpected message is conveyed: Henri is a jerk. Not only that, but deep down, he is also a jerk. He is absolutely sure, absolutely wrong and a flat-out creep. Yet his relentlessness in the face of rejection and failure has a certain pathetic gallantry. A key role in “A Christmas Tale” is that of Emmanuelle Devos, as Henri’s new girlfriend, who somehow directs the audience’s gaze toward what conceivably might be lovable about Henri, that he’s funny and that he keeps getting back up.

Like a visit with family, “A Christmas Tale” does not add up to a single conclusion but rather to a series of subjective impressions, devised on the fly, that might be true and might not. All the characters have revealing moments, including Chiara Mastroianni as the youngest son’s wife - she looks like Deneuve, her real-life mother, but she plays an in-law. Desplechin’s light hand allows him to achieve these moments of illumination in ways that never feel doled out or arbitrary.

With Desplechin, it doesn’t ever feel as though he’s straining to show us things. It’s more like we’re just hanging out. We’re in this house, and by some strange coincidence, every time we turn around, something interesting is happening.

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Also Known As: Escape To Witch Mountain, Witch Mountain
Production Status: In Production/Awaiting Release
Genres: Kids/Family, Thriller and Remake
Starring: Dwayne ‘The Rock’ Johnson, Ciaran Hinds, AnnaSophia Robb, Carla Gugino, Garry Marshall
Release Date: March 13th, 2009 (wide)
Distributors: Buena Vista Pictures Distribution
Production Co.: Gunn Films
Studios: Walt Disney Pictures
Filming Locations: Los Angeles, California, USA
Produced in: United States
Directed by: Andy Fickman
Produced by: Ann Marie Sanderlin, Andrew Gunn

Walt Disney Pictures resurrects one of their time-honored franchises with Race to Witch Mountain, a family film that tells the story of two children (AnnaSophia Robb and Alexander Ludwig) with psychic abilities whose search for their origins gets them caught up in an adventure with a cab driver (Dwayne “The Rock” Johnson) and a UFO specialist (Carla Gugino). The original 1975 picture Escape to Witch Mountain was followed by the sequel Return From Witch Mountain, as well as a 1995 made-for-TV remake. ~ Jeremy Wheeler, All Movie Guide

Trailer:

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Will Smith on Seven Pounds

Production Status: In Production/Awaiting Release
Genres: Drama and Romance
Starring: Will Smith, Rosario Dawson, Woody Harrelson, Michael Ealy, Robinne Lee
Release Date: December 19th, 2008 (wide)
Distributors: Sony Pictures Releasing
Production Co.: Escape Artists, Overbrook Entertainment, Relativity Media
Studios: Columbia TriStar Motion Picture Group
Filming Locations: Los Angeles, California USA
Produced in: United States
Directed by: Gabriele Muccino
Produced by: David Crockett, Ken Stovitz, Domenico Procacci

Official site:www.sevenpounds.com

Will Smith will play the role of a suicidal, guilt-ridden man who attempts to make amends for his past. This gesture, which should be his end, marks his future. He crosses the tunnel of desperation but instead he finds the light thanks to a meeting with a woman who pulls him away from his agony. Will Smith eventually falls in love with this woman, played by the actress Rosario Dawson, who has become famous for her role in the Spike Lees movie He Got Game featuring Denzel Washington. Shes also a well-known actress for her performances in Grindhouse by Quentin Tarantino and Robert Rodriguez, Sin City, Rent, and Alexander. Texan actor Woody Harrelson (North Country, The Walker, Natural Born Killers, Indecent Proposal) a blind pianist who befriends Will Smith. The movie will also feature the Canadian actor Barry Pepper, famous for his role as a crack shot in Saving Private Ryan by Steven Spielberg, and for his memorables performance in The Green Mile and in Enemy of the State.

Trailer:

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